Lin Lisberger. Carver of wood
I think Lin Lisberger’s sculptures are mesmerizing. They draw me in and invite me to stay a while. One, in particular, wouldn’t loosen its grip. (more…)
I think Lin Lisberger’s sculptures are mesmerizing. They draw me in and invite me to stay a while. One, in particular, wouldn’t loosen its grip. (more…)
Our assignment:
Make two identical compositions, each at least 10″ x 12″. Use the exact same colors in both compositions. You want to have clear foreground shapes and clear background shape. (more…)
Every time I post another profile of a Maine artist, I learn something new. From Kevin Mizner, who lives in Pittston, I learned about patience. This from a man who says he has “the patience of a toddler.” (more…)
I’m learning so much in the Color Theory class I’m taking this semester. The instructor is Jim Flahaven at the University of Southern Maine. These images are from an assignment designed to help us better understand simultaneous contrast. (more…)
Mary Brooking says she enjoys testing the balance between reality and abstraction. She prefers to paint with acrylics, but her work is often mistaken for oil paintings because of their softness and tonal depth. (more…)
I spent a lazy Sunday mixing shades of gray. And you thought this was going to be an erotic post!
There is something sensual about playing with paint, I think. (more…)
Work hard, says Maine artist Dorette Amell. She knows what she’s talking about. She worked hard to find her voice and to become the fine artist she is today. A woman who practices what she preaches.
Read more to find out what inspires Dorette to create art. (more…)
As usual, it’s hard to believe another semester has whizzed by. We exhibited our final drawing projects at an open studio reception, which was fun.
I was blown away by the work my fellow students did, so decided to focus on some of their projects instead of mine. These are images from the reception and some excerpts from interviews I did that night. (more…)
Amy Stacey Curtis, who has lived in Maine since 1986, says her work “physically exists as art only when installed in a space and activated by an audience.”
Over the past 17 years, Amy has installed eight solo-biennial exhibits. For each, she has chosen a Maine mill as her space. (more…)
On the way to class the other day, I passed a much younger fellow student on the opposite side of the street. He called out, “Hey Diane, how’s it going? On your way to painting class?” He mentioned seeing my fractured self-portrait on Facebook and how much he liked it and I said I also liked the work he’d been doing lately. (more…)